Eyebrows

Last month, evil little voices began whispering in my ear and telling me that the deer mask needed big, bushy eyebrows. I stood firm and didn't give in, as next they'd be asking for hairy ears, but I did begin to wonder, maybe the eyebrows did need *something*. Here's the mask with the eyebrows in question:

The first thing I did was to print out the above photo and sketch over the then-current eyebrows with a blue highlighter, to see more clearly what I already had (below.) First thing I noticed was that the eyebrows were asymmetrical. Not that that's a big issue, I think most eyebrows are asymmetrical, but it gave me a place to begin my explorations.

Below, two sketches with symmetrical eyebrows, one with the "left hand" style of eyebrow, and the other with the "right hand" style. I didn't like either of these.

Maybe it was the smooth, unwrinkled skin on the forehead between the eyebrows that was bothering me? I tried sketching wrinkles in between the eyebrows, but I didn't like them either.

Not sure where to go from here, I decided to hit the books. Below is one of my all time favorite reference books in my mask library. It's informative, easy to use, and beautifully illustrated.

Below are illustrations for the muscles responsible for thunderous eyebrows, the corrugator (the two little arms over the eyebrows) and the procerus (the muscle over the nose.)

Below, the actions of the corrugator and the procerus illustrated. To quote from the above book, "...the eyebrow lowers, especially the inner third...The eyebrows move closer together. A cashew shaped lump appears at the inner end of the eyebrow, with a curved, vertical crease along its inside edge (a), the "frown line". A small, crescent shaped dimple appears (b), above the middle of the eyebrow. This is where the muscle attaches to the skin and so becomes a low spot when the muscle contracts......"

I decided I needed to work on my (a) frownline and my (b) dimple. (I toyed with playing with the (c) vertical fold over the eyelid and the (d) hollow at the inner corner of the eye, but that would have meant changing the shape of the eyes more than I wanted to.) So I resculpted the eyebrows and went from this:

To this. I've emphasized the dimples and clarified and moved the frown lines more into the center. I've also tried to show how the muscle pulls the skin and bunches it up over the nose, spending many hours making faces at myself in the mirror and examining the wrinkles to do so! 

Below, a picture of the entire mask with its new eyebrows. I really like how the pattern of wrinkles in the center of the forehead echoes the shapes of the tines over them.

Now, I am really and truly in the home stretch with this mask. With any luck, my next post will show pictures of it finished!